In this Issue: Digital Deception Computer retouchers and traditional make-up artists: How do they affect each other’s work? We profile Photoshop whiz Amy Dresser — and find that she can’t do her job effectively without the work of skilled make-up artists. By Ron Magid A Pirate's Life for Ve The crew on Pirates of the Caribbean 3: At World’s End swims in a sea of scurvy, scars, and hairpieces. Artists Ve Neill and Joel Harlow reflect on the challenges of making two movies simultaneously…and the experience of making up Keith Richards. Arrrr! By Ron Magid Make-up Around the World In our seventh annual look at the international make-up scene, we profile eight artists in countries from Iceland to Wales, each of whom brings a palette of fresh ideas and techniques. By Elizabeth Grattan Detective Work From Frasier to the force: A new police procedural film renders Kelsey Grammer unrecognizable, thanks to make-up design by Matthew Mungle and Jamie Kelman. By Michael Walter |